Wiener Blut
Music Theatre
10. Aug - 31. Aug 2025
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Lea Karnutsch is a dancer and choreographer. She studied contemporary and classical stage dance at the Music and Arts Private University of the City of Vienna.
As a dancer, she has worked with choreographers such as Nikolaus Adler, Liz King, Katharina Senk, and Inge Gappmaier, and has performed at venues including Theater an der Wien, Kultursommer Wien, and the Vienna Tourist Board.
Her own choreographic works have been presented at brut Wien, Stadttheater Augsburg, CerModern in Ankara, Q35 in Turin, and DOCK 11 in Berlin. In 2019, she received the Austrian Art Award for her piece Vacuity, under the jury chairmanship of Christian Ludwig Attersee.
Since early 2021, she has been developing stage works together with musician and media artist Ferdinand Doblhammer as the collective Flip The Coin, combining dance, music, digital art, and installation.
With a deep interest in dance scholarship, she merges dance theory and practice in a variety of projects. This has led to collaborations with the Ludwig Boltzmann Society, the Paris Lodron University of Salzburg, and dance historian Andrea Amort.
Lea Karnutsch is a dancer and choreographer. She studied contemporary and classical stage dance at the Music and Arts Private University of the City of Vienna.
As a dancer, she has worked with choreographers such as Nikolaus Adler, Liz King, Katharina Senk, and Inge Gappmaier, and has performed at venues including Theater an der Wien, Kultursommer Wien, and the Vienna Tourist Board.
Her own choreographic works have been presented at brut Wien, Stadttheater Augsburg, CerModern in Ankara, Q35 in Turin, and DOCK 11 in Berlin. In 2019, she received the Austrian Art Award for her piece Vacuity, under the jury chairmanship of Christian Ludwig Attersee.
Since early 2021, she has been developing stage works together with musician and media artist Ferdinand Doblhammer as the collective Flip The Coin, combining dance, music, digital art, and installation.
With a deep interest in dance scholarship, she merges dance theory and practice in a variety of projects. This has led to collaborations with the Ludwig Boltzmann Society, the Paris Lodron University of Salzburg, and dance historian Andrea Amort.
