
Falko Herold studied stage design at the Academy of Fine Arts Vienna. He regularly collaborates with Hermann Schneider, David Bösch, Patrick Bannwart, and Barbora Horáková, and has designed costumes for productions including L’elisir d’amore and Mitridate at the Bayerische Staatsoper, Simon Boccanegra at the Opéra National de Lyon, Katja Kabanova at the War Memorial Opera in San Francisco, and Die tote Stadt at the Semperoper Dresden.
As a stage and video designer, his credits include Urfaust at the Myeongdong Theatre Seoul, Don Giovanni at the Opéra des Nations Geneva, Irrelohe and Die Gezeichneten at the Opéra National de Lyon, and Die Zauberflöte at the Wiener Staatsoper.
He was awarded the Austrian Music Theatre Prize in 2019 for Die Frau ohne Schatten at the Landestheater Linz and received the Rolf Mares Prize Hamburg in 2021 for Weiße Rose.
Herold also frequently collaborates with Axel Ranisch, with whom he developed productions such as Mavra/Iolanta and Orlando Paladino at the Bayerische Staatsoper, as well as Saul at the Komische Oper Berlin.
He teaches at the Institute for Wigs, Make-up and Special Make-up Effects at the August Everding Theatre Academy in Munich.
Falko Herold studied stage design at the Academy of Fine Arts Vienna. He regularly collaborates with Hermann Schneider, David Bösch, Patrick Bannwart, and Barbora Horáková, and has designed costumes for productions including L’elisir d’amore and Mitridate at the Bayerische Staatsoper, Simon Boccanegra at the Opéra National de Lyon, Katja Kabanova at the War Memorial Opera in San Francisco, and Die tote Stadt at the Semperoper Dresden.
As a stage and video designer, his credits include Urfaust at the Myeongdong Theatre Seoul, Don Giovanni at the Opéra des Nations Geneva, Irrelohe and Die Gezeichneten at the Opéra National de Lyon, and Die Zauberflöte at the Wiener Staatsoper.
He was awarded the Austrian Music Theatre Prize in 2019 for Die Frau ohne Schatten at the Landestheater Linz and received the Rolf Mares Prize Hamburg in 2021 for Weiße Rose.
Herold also frequently collaborates with Axel Ranisch, with whom he developed productions such as Mavra/Iolanta and Orlando Paladino at the Bayerische Staatsoper, as well as Saul at the Komische Oper Berlin.
He teaches at the Institute for Wigs, Make-up and Special Make-up Effects at the August Everding Theatre Academy in Munich.