Indigo und die 23 Räuber*innen
Operetta
1. Jun - 23. Jun 2025
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The soprano Anita Giovanna Rosati, originally from East Tyrol, completed her vocal studies at the University of Music and Performing Arts Vienna, where she studied with KS Edith Lienbacher and KS Gabriele Fontana. In 2017, she was a scholarship recipient of the Anny Felbermayer Foundation and a prizewinner of Musica Juventutis.
In the 2015/16 season, she was a member of the Thuringian Opera Studio, making her debut as Papagena at the Deutsches Nationaltheater Weimar, as Brigitta in Tchaikovsky’s Iolanta, and as Minerva in Monteverdi’s Il ritorno d’Ulisse in patria at the Theater Erfurt.
In 2018, Rosati made her debut at the Theater an der Wien, achieving early success as Jemmy in Rossini’s Guillaume Tell, conducted by Diego Matheuz and staged by Thorsten Fischer.
Further engagements have taken her to prestigious festivals, theaters, and concert halls including the Bregenz and Salzburg Festivals, Innsbruck Early Music Festival, Musikverein Vienna, Konzerthaus Vienna, MuTh Concert Hall, Kammeroper Vienna, Philharmonie Luxembourg, Opéra national de Lorraine (France), Theater an der Wien, Neue Oper Wien, Liederhalle Stuttgart, Maggyart Festival (Italy), Musikfestspiele Potsdam Sanssouci, Wratislavia Cantans (Poland), and the Rabenhof Theater Vienna. She has collaborated with conductors such as Marc Albrecht, Stefan Solyom, Peter Leipold, Diego Matheuz, Samuel Bächli, Hannah Eisendle, Bas Wiegers, Alessandro De Marchi, Jörg Halubek, Walter Kobéra, Raphael Schlüsselberg, and Laurent Wagner.
Rosati has already been nominated twice for the Austrian Music Theater Award: in 2020 in the category “Best Female Supporting Role” for her portrayal of the house and schoolgirl in the production Der Reigen by B. Lang at the Bregenz Festival in cooperation with Neue Oper Wien, conducted by Walter Kobéra and directed by Alexandra Liedtke; and in 2022 in the category “Best Young Artist” for the role of Dorillo in the opera Idalma by B. Pasquini at the Innsbruck Early Music Festival, conducted by Alessandro De Marchi and staged by Alessandra Premoli.
In the 2023–2025 seasons, Rosati is a member of the ensemble at the Salzburg State Theatre.
She has celebrated special successes at the Felsenreitschule Salzburg, including as Sacerdotessa in a new production of Aida conducted by Leslie Suganandarajah and directed by Andreas Gergen; as ICE in the Austrian premiere of Anthropocene by Stuart MacRae, staged by Agnessa Nefjodov; as Corinna in G. Rossini’s Il viaggio a Reims, conducted by Carlo Cimento and directed by Andrea Bernard; and as Gretel in E. Humperdinck’s Hänsel und Gretel.
This spring, she will appear as Colonnella in Antonio Salieri’s rarely performed opera Il Mondo alla rovescia. She will also make her debut as Fantasca in an adaptation of Johann Strauss’s operetta Indigo and the Forty Thieves as part of the Viennese Johann Strauss Year.
In addition to her operatic work, concert and recital performances are a core part of her artistic profile. Highlights include a recital at the Vienna Konzerthaus as a Musica Juventutis award winner with A. Fröschl at the piano; a performance in the Golden Hall of the Musikverein in Handel’s Israel in Egypt under Antal Barnás; a recital at the Bank Austria Salon as part of the Liederherbst Festival with Hafez Babashahi at the piano; Dvořák’s Mass in D Major, Op. 86 at the Great Hall of the Konzerthaus conducted by H. Ferlesch; and appearances at the Trigonale Festival in Klagenfurt.
The soprano Anita Giovanna Rosati, originally from East Tyrol, completed her vocal studies at the University of Music and Performing Arts Vienna, where she studied with KS Edith Lienbacher and KS Gabriele Fontana. In 2017, she was a scholarship recipient of the Anny Felbermayer Foundation and a prizewinner of Musica Juventutis.
In the 2015/16 season, she was a member of the Thuringian Opera Studio, making her debut as Papagena at the Deutsches Nationaltheater Weimar, as Brigitta in Tchaikovsky’s Iolanta, and as Minerva in Monteverdi’s Il ritorno d’Ulisse in patria at the Theater Erfurt.
In 2018, Rosati made her debut at the Theater an der Wien, achieving early success as Jemmy in Rossini’s Guillaume Tell, conducted by Diego Matheuz and staged by Thorsten Fischer.
Further engagements have taken her to prestigious festivals, theaters, and concert halls including the Bregenz and Salzburg Festivals, Innsbruck Early Music Festival, Musikverein Vienna, Konzerthaus Vienna, MuTh Concert Hall, Kammeroper Vienna, Philharmonie Luxembourg, Opéra national de Lorraine (France), Theater an der Wien, Neue Oper Wien, Liederhalle Stuttgart, Maggyart Festival (Italy), Musikfestspiele Potsdam Sanssouci, Wratislavia Cantans (Poland), and the Rabenhof Theater Vienna. She has collaborated with conductors such as Marc Albrecht, Stefan Solyom, Peter Leipold, Diego Matheuz, Samuel Bächli, Hannah Eisendle, Bas Wiegers, Alessandro De Marchi, Jörg Halubek, Walter Kobéra, Raphael Schlüsselberg, and Laurent Wagner.
Rosati has already been nominated twice for the Austrian Music Theater Award: in 2020 in the category “Best Female Supporting Role” for her portrayal of the house and schoolgirl in the production Der Reigen by B. Lang at the Bregenz Festival in cooperation with Neue Oper Wien, conducted by Walter Kobéra and directed by Alexandra Liedtke; and in 2022 in the category “Best Young Artist” for the role of Dorillo in the opera Idalma by B. Pasquini at the Innsbruck Early Music Festival, conducted by Alessandro De Marchi and staged by Alessandra Premoli.
In the 2023–2025 seasons, Rosati is a member of the ensemble at the Salzburg State Theatre.
She has celebrated special successes at the Felsenreitschule Salzburg, including as Sacerdotessa in a new production of Aida conducted by Leslie Suganandarajah and directed by Andreas Gergen; as ICE in the Austrian premiere of Anthropocene by Stuart MacRae, staged by Agnessa Nefjodov; as Corinna in G. Rossini’s Il viaggio a Reims, conducted by Carlo Cimento and directed by Andrea Bernard; and as Gretel in E. Humperdinck’s Hänsel und Gretel.
This spring, she will appear as Colonnella in Antonio Salieri’s rarely performed opera Il Mondo alla rovescia. She will also make her debut as Fantasca in an adaptation of Johann Strauss’s operetta Indigo and the Forty Thieves as part of the Viennese Johann Strauss Year.
In addition to her operatic work, concert and recital performances are a core part of her artistic profile. Highlights include a recital at the Vienna Konzerthaus as a Musica Juventutis award winner with A. Fröschl at the piano; a performance in the Golden Hall of the Musikverein in Handel’s Israel in Egypt under Antal Barnás; a recital at the Bank Austria Salon as part of the Liederherbst Festival with Hafez Babashahi at the piano; Dvořák’s Mass in D Major, Op. 86 at the Great Hall of the Konzerthaus conducted by H. Ferlesch; and appearances at the Trigonale Festival in Klagenfurt.
