
Katarina Ravlić, born in Munich, studied interior architecture at the Rosenheim University of Applied Sciences.
As an assistant set designer at the Bavarian State Opera, she contributed to new productions of Karl V., Salome, Die Vögel, Der Rosenkavalier, Tristan und Isolde, The Cunning Little Vixen, Semele, as well as Marina Abramović’s production of 7 Deaths of Maria Callas. In addition to creating illustrations for the children's and youth program, she designed the spatial concepts for several editions of the series Die unmögliche Enzyklopädie and for the Bühnendinner.
As a set and costume designer, she created her first full production at the Bavarian State Opera with Der Mondbär. Further works include Nosferatu and Stolz und Vorurteil oder so at Volkstheater Rostock, De klengen Zauberer Igibus at Philharmonie Luxembourg, as well as Get Lost and Wyld at the Bavarian State Opera. For the Johann Strauss anniversary year, she is designing the sets and costumes for Indigo und die 23 Räuber*innen.
Katarina Ravlić, born in Munich, studied interior architecture at the Rosenheim University of Applied Sciences.
As an assistant set designer at the Bavarian State Opera, she contributed to new productions of Karl V., Salome, Die Vögel, Der Rosenkavalier, Tristan und Isolde, The Cunning Little Vixen, Semele, as well as Marina Abramović’s production of 7 Deaths of Maria Callas. In addition to creating illustrations for the children's and youth program, she designed the spatial concepts for several editions of the series Die unmögliche Enzyklopädie and for the Bühnendinner.
As a set and costume designer, she created her first full production at the Bavarian State Opera with Der Mondbär. Further works include Nosferatu and Stolz und Vorurteil oder so at Volkstheater Rostock, De klengen Zauberer Igibus at Philharmonie Luxembourg, as well as Get Lost and Wyld at the Bavarian State Opera. For the Johann Strauss anniversary year, she is designing the sets and costumes for Indigo und die 23 Räuber*innen.