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After great successes at the Vienna State Opera and the Bavarian State Opera, soprano Vera-Lotte Boecker is increasingly establishing herself as one of the most exciting artists of her generation, known for her interpretations of repertoire ranging from grand opera to contemporary music. Boecker was named OpernWelt Singer of the Year 2022. In 2024/25, Boecker will return to the Bavarian State Opera as Donna Anna in performances of Don Giovanni under the direction of Vladimir Jurowski and as Violetta La Traviata at the Hamburg State Opera. On the concert platform, Boecker will make her debut in Schönberg's Gurrelieder with Petr Popelka and the Vienna Symphony Orchestra and in Mahler's Symphony No. 4 under the direction of Cornelius Meister with the Orquesta y Coro Nacionales de España. Recent opera highlights include important role debuts such as the title role in Strauss' Daphne in Romeo Castellucci's production at the Deutsche Staatsoper under the direction of Thomas Guggeis, the title role in Berg's Lulu under the direction of Maxime Pascal and Dorotka in Tobias Krazer's production of Schwanda der Dudelsackpfeifer under the direction of Petr Popelka at the Theater an der Wien, Nadja in the world premiere of Haas Bluthaus at the Bavarian State Opera, directed by Claus Guth and conducted by Titus Engel, and Fusako Kuroda in Henze Das verratene Meer at the Vienna State Opera, which was also released on DVD. She previously appeared at the Bavarian State Opera as La Princesse Eudoxie La Juive, at the Vienna State Opera as Gilda Rigoletto, Nanetta Falstaff and Adele Die Fledermaus, at the Bolshoi Theatre as Agnès Written on Skin, at the Salzburg Festival as Autonoe The Bassarids and in Stuttgart as Natalie Prinz von Homburg. At the Komische Oper Berlin she sang Donna Anna Don Giovanni, Pamina Die Zauberflöte and Violetta La traviata, among others. Boecker is a former ensemble member of the Vienna State Opera and continued her collaboration in the 2022/23 season with Calixto Bieto's production of Das Klagende Lied under the direction of Lorenzo Viotti, as the Daughter in Hindemith's Cardillac and as Sophie in performances of Der Rosenkavalier under the direction of Philippe Jordan. Recent concert highlights include Beethoven's Symphony no. 9 with the Orchestre Symphonique de Montréal conducted by Rafael Payare at the Festival de Lanaudière, Brahms Ein deutsches Requiem conducted by Dima Slobodeniouk with the Vienna Symphony Orchestra, Agnès Written on Skin in concert with the Stavanger Symphony conducted by George Benjamin, Reimann Mignon with the Vogler Quartet at the Konzerthaus Berlin, Mendelssohn Paulus with the Voralberg Symphony Orchestra as well as performances at the Vienna Konzerthaus, the Cologne Philharmonie, the Kulturpalast Dresden, the Stuttgart Philharmonie and the Musikverein Vienna.
After great successes at the Vienna State Opera and the Bavarian State Opera, soprano Vera-Lotte Boecker is increasingly establishing herself as one of the most exciting artists of her generation, known for her interpretations of repertoire ranging from grand opera to contemporary music. Boecker was named OpernWelt Singer of the Year 2022. In 2024/25, Boecker will return to the Bavarian State Opera as Donna Anna in performances of Don Giovanni under the direction of Vladimir Jurowski and as Violetta La Traviata at the Hamburg State Opera. On the concert platform, Boecker will make her debut in Schönberg's Gurrelieder with Petr Popelka and the Vienna Symphony Orchestra and in Mahler's Symphony No. 4 under the direction of Cornelius Meister with the Orquesta y Coro Nacionales de España. Recent opera highlights include important role debuts such as the title role in Strauss' Daphne in Romeo Castellucci's production at the Deutsche Staatsoper under the direction of Thomas Guggeis, the title role in Berg's Lulu under the direction of Maxime Pascal and Dorotka in Tobias Krazer's production of Schwanda der Dudelsackpfeifer under the direction of Petr Popelka at the Theater an der Wien, Nadja in the world premiere of Haas Bluthaus at the Bavarian State Opera, directed by Claus Guth and conducted by Titus Engel, and Fusako Kuroda in Henze Das verratene Meer at the Vienna State Opera, which was also released on DVD. She previously appeared at the Bavarian State Opera as La Princesse Eudoxie La Juive, at the Vienna State Opera as Gilda Rigoletto, Nanetta Falstaff and Adele Die Fledermaus, at the Bolshoi Theatre as Agnès Written on Skin, at the Salzburg Festival as Autonoe The Bassarids and in Stuttgart as Natalie Prinz von Homburg. At the Komische Oper Berlin she sang Donna Anna Don Giovanni, Pamina Die Zauberflöte and Violetta La traviata, among others. Boecker is a former ensemble member of the Vienna State Opera and continued her collaboration in the 2022/23 season with Calixto Bieto's production of Das Klagende Lied under the direction of Lorenzo Viotti, as the Daughter in Hindemith's Cardillac and as Sophie in performances of Der Rosenkavalier under the direction of Philippe Jordan. Recent concert highlights include Beethoven's Symphony no. 9 with the Orchestre Symphonique de Montréal conducted by Rafael Payare at the Festival de Lanaudière, Brahms Ein deutsches Requiem conducted by Dima Slobodeniouk with the Vienna Symphony Orchestra, Agnès Written on Skin in concert with the Stavanger Symphony conducted by George Benjamin, Reimann Mignon with the Vogler Quartet at the Konzerthaus Berlin, Mendelssohn Paulus with the Voralberg Symphony Orchestra as well as performances at the Vienna Konzerthaus, the Cologne Philharmonie, the Kulturpalast Dresden, the Stuttgart Philharmonie and the Musikverein Vienna.
